3/25/2023 0 Comments Fabfilter twin 2 reviewThe filter styles are themselves something to behold. And when you throw in the different filter styles that can achieve a plethora of different sonic textures you have yourself a mean soft synthesizer. Their layout and interface threw me off at first as I’m used to the segregated filter modules in Vital, Pigments, and so on, but I have to say that I am a big fan of Twin 3’s unique approach to filtering. With additional controls for fine-tuning and a menu of different filter styles including Metal, Clean, Tube, and Hollow, Twin 3’s filters are incredibly versatile tools that go above and beyond. However, you can do the same by clicking on the filter you want to adjust and manually entering new values yourself. This will take some getting used to if you’re used to segregated interfaces like Massive, but these filters are so easy to work with once you’re over that hump!įurthermore, you can adjust the cutoff point, peak, and panning of the filters by holding ctrl / cmnd or shift while rotating your mouse wheel. For example, if you click far to the right then a high pass filter will engage, if you click below the thick yellow line then a notch filter will engage, and so on. That’s right, the filters function via clicking and dragging, and the type of filter that’ll activate depends on where you click. The thick yellow line displays the overall filter response while you’ve got one or more filters engaged, and engaging a filter is as easy as clicking anywhere in the filter tab. You can add a total of four filters to your patch and determine whether they function in series or in parallel to one another. In fact, this interactive filter display goes a long way in separating Twin 3 from the rest. Twin 3’s filters are the most eye-catching part of the virtual analog synth, not least because they’re split bang in the middle of the interface. Meanwhile, working with multiple voices and creating thick, pulsating leads is made all the easier with Twin 3’s unique filtering process. In practice, the clean sound of Twin 3’s oscillators will do anyone looking to create spacious pads and 808-style basses a strong service. They’re impactful yet easy to work with, and perfect for beginners and professionals alike. They offer a number of tools for adjusting harmonics, phase, tuning, and so much more – and you’ll navigate them easily after a bit of time reading the help manual. Ultimately, the oscillators in FabFilter’s Twin 3 soft synth are great to play around with. Oh, and a neat little * button allows you to apply ring modulation between oscillators 1 & 2 and oscillators 3 & 4! For instance, the “Phase Sync” tells the oscillator whether to retrigger from the halfway point of the waveform cycle, and this is great for creating sharp, percussive sounds. On the surface, they look neat & simple, but just a little bit of playing around unveils so much more. I’d go as far as to say that Twin 3’s oscillators are a little deceiving. Of course, in the spirit of true virtual analog, a “Pulse Width” parameter shows its face when a square wave is loaded into an oscillator too! Meanwhile, each oscillator also has a “Hard Sync” dial that adds more harmonics to the waveform by squeezing more phases into an audible oscillation. Each oscillator gives you easy access to detuning & octave shift settings too. Twin 3 offers a total of 4 oscillators with classic analog waveforms and built-in analog shift that randomizes various settings like oscillator tuning and phase, in addition to pink & white noise generators. Many settings reside in pop-up menus accessible by clicking on a particular parameter, but after some time of getting used to this, you’ll be zipping around Twin 3 seamlessly. Now, Twin 3 has a neat layout that doesn’t feel as crammed as it did on prior iterations, and Softube has opted for masses of visual feedback with plenty of colors.īe that as it may, Twin 3’s user interface may be a little disorientating at first. While remaining true to many of the design features of Twin 2, Twin 3‘s new user interface has had a significant overhaul for this third edition of the virtual analog subtractive synth. Get ready to see why its feature-rich interface, powerful oscillators, flexible filters, and expressive modulation make Twin 3 a versatile synth great for both learning sound design and building complex sound. Twin 3 the latest iteration of FabFilter’s award-winning virtual subtractive synthesizer.įabFilter’s new Twin 3 soft synth is packed with features, new sound design tools, and some unique approaches to workflows that simplify the sound design process in many ways. These synths can get pretty complicated – especially for new users – but I’m here to talk to you about Twin 3. Today, software synths like PhasePlant, Absynth, Sylenth1, Massive, Serum, and many more dominate the soft synth market.
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